Category Archives: gigging

Servant Jazz Quarters gig: April 22nd

On April 22nd I’ll be playing in a three duos gig at Servant Jazz Quarters, Dalston. There will be sets from Colin Webster (saxophones) and Graham Dunning (turntable, mixer and dubplates), Ti/om (Tom Ward on woodwinds and Tim Fairhall on bass), and then Anton and I will do one as Ripsaw Catfish. I’ve made a poster with a leafy kaleidoscope, in case you need a bit more persuasion to attend:

duos-sjq-poster

A lovely night at LUME!

Last Thursday (6th Feb) we started up LUME for 2014 at our new venue Long White Cloud. It promised to be quite a full-on night for me as not only were we trying out the venue for the first time, but I had also been invited to play with Corey Mwamba and Martin Pyne as part of the gig! In addition to this, we were a bit concerned about turnout due to the combination of relentless rain and a tube strike.

Happily, it all worked out. Dee and I turned up early with our elaborate collection of stuff including curtains, fixings, new LUME banner, etc. After a coffee-fuelled DIY session (with drill work by bassist Jeff Spencer, who had arrived as an audience member but ended up as crew), the stage was set and it looked pretty good….especially with Corey and Martin’s vibes/electronics setup ready to rock as well. (NB: To get to the gig Corey did end up walking across London with his vibraphone for the first time since 2005, apparently, for which we are eternally grateful…especially considering the weather.)

lume setupWe got a nice enthusiastic crowd down (who were loving the food and drink at LWC) and I really enjoyed the gig. It was so great to be asked to play with Corey and Martin: I was transported with my bari into another world of vibraphone soundscapes for two sets. Awesome. If you ever hear of them playing a duo set, make sure you catch it. The gig looked like this (although without my austere expression most of the time hopefully):

corey martin vibes trio lumeAll in all, a successful and enjoyable evening. Long White Cloud were fantastic hosts and everyone had a good time. We look forward to many more! We’re there every Thursday, so do drop in when you’re free and check out the gigs (listings on the LUME website). A door-eye view to finish off the post:

lume door

LUME starts up again for 2014 and Ripsaw Catfish Spring gigs

After a quiet January (playing-wise at least…I wasn’t short on admin), things are about to kick off in a flurry of Spring activity, so I thought it was time for an update.

LUME re-starts on February 6th, and will be running weekly at our new venue Long White Cloud in Hoxton. The full programme for Feb/March is over on our website for your perusal, but I will say here that the first gig is a real treat. We’ve got our good friends Corey Mwamba and Martin Pyne pitching up with their vibraphones, electronics and assorted bits and bobs for a duo gig. I’ll be joining them on bari sax in the second set, but don’t let that put you off. It should be a lovely evening of improvising and settling into our new home.

Next up is a bunch of gigs with Ripsaw Catfish, my new duo with the ace guitarist Anton Hunter. The music is mostly improvised, but with some elements that we’ve composed too, and we’ve been making our way around the rehearsal rooms of the London and Manchester areas working on it. Much tea has been consumed, the world set to rights, so now we’re going to embark upon what could be called a mini-tour. Hear the results at these places:

11th February: Fizzle, The Lamp Tavern, Birmingham (with Bruce Coates & Trevor Lines)

26th March: Freedom Principle, Manchester (with Trio Riot)

27th March: LUME, Long White Cloud, London (with Steve Beresford and Julie Kjaer)

6th April: One Note Sunday, ArtsmithLIVE, Derby (early gig: 6.30pm)

Hope to see you out there somewhere!

Things are happening in 2014

The last Quad gig of the year has happened, and the last LUME of the year is tonight, so now it’s *really* time to start sorting out what’s going on next year. Lots of things are up in the air, and some things are half-organised or very nearly organised, but I recently put the first actually-confirmed thing in my diary: Ripsaw Catfish will be playing at Corey Mwamba’s gig One Note Sunday in Derby, in April.

I really like One Note Sunday and I wrote about it before when we played there with the sax quartet. If you are in the Midlands and free on April 6th, come and check us out doing a bari sax/guitar duo thing. The night is also on FB and Twitter. How’s that for advance notice?

More on everything else soon once I have something to say!

 

Quad at The Salisbury

We had a very enjoyable evening at the Salisbury on Sunday. The jazz night there is always well attended so there was a nice crowd, and it was also the first Quadraceratops gig with an open fire. I might work on this as some kind of winter rider requirement: nothing like a fireside chat before going on stage. This gig was also probably our last one with Jason Simpson, who has been playing bass while Dave O’Brien is away travelling. Thanks Jason! And thanks to Jazz @ The Salisbury for having us.

I’m working on some new music for the band at the moment, and also getting into more gig promotion, of which there will be news soon…

Quadraceratops and The Button Band at the Hackney Cut

On February 8th I ventured into the world of gig promoting and put on a double bill at the Hackney Cut. Quadraceratops were joined by The Button Band for a really nice evening of music, pizza, cake eating and general hanging out at a venue that boasts the address ‘Fish Island’. Sadly not open for public gigs any more (nothing to do with us!) the Hackney Cut is a great space and was also home to Dee Byrne’s ‘Jazz at the Hackney Cut’ weekly night.

We recorded and filmed the gig, and I’ll post some videos on here soon subject to the usual video-editing delay. Audio and I have a much better relationship though, so there are some recordings up on my Soundcloud page:

A big thanks to all the musicians, and also to Gideon Conn for producing the button/dinosaur flyer artwork that got so many compliments as I pushed it into people’s faces to promote the gig. The process of putting on a gig was moderately stressful but is definitely something I’d like to do more of. Plans are being hatched as you read this…

 

December 2012 gigs retrospective: MSQ on the road

I’ll continue this afternoon of cataloguing the end of 2012 with a look back to the Madwort Sax Quartet gigs in December. We left London behind and set off on a mini-tour of The Midlands and The North: not bad for the second thing the band ever did! Arguably, as it was a pair of gigs, this should be referred to as a series, but due to the travel involved I’m going to stick my neck out here and call it a mini-tour….

The first stop was Derby and Corey Mwamba‘s ‘One Note Sunday’ night at the Flowerpot. We played two sets to an extremely interested and appreciative audience. Again, it was a cool thing to have this happen at the band’s second ever gig. The idea with One Note Sunday is that people go along to hear something new…as in, not even something they’ve listened to online in advance to see if they like it, but something brand new to them. Risky tactics, you say! Yes. But, what it means from a performer’s perspective is that the people who show up are definitely going to be there to check out the music…and that feels great! We had a good gig there. The sign below was posted by the bar but was totally redundant.

Tom recorded the gig and filmed it. He’s posted a series of four videos on YouTube: the tracks are Shard, S (by Larry Ochs/Rova), Maps and Islands In The Green. Shard and Maps were new tunes that Tom wrote in time for the December gigs.

After Derby, we had a day off before travelling to Manchester to play at Efpi Records’ Freedom Principle night at Sandbar. It was nice to go back and play there again after the Quadraceratops gig for them in June, which was a lovely night. With the quartet, we shared the bill with the Anton Hunter trio. I have to say, perhaps egotistically, that my favourite part of this gig was when we combined the two bands and played some of my music! Anton had clocked that if we merged the two bands we would have a sort of hybrid almost-Quadraceratops septet and he suggested we did a couple of my tunes. With, well, basically no rehearsal. More risky tactics! I like to think of it as the Madanton Worthunter Quartrio. Four saxes, guitar, bass and drums! It was FUN, and pretty anarchic. There’s a video of it, and I’ll post it up here once I get my head around cutting the video into tracks….

November 2012 gigs retrospective

A freezing cold, snowy February day like today seems the perfect time to sift through the various photos, videos, and recordings I’ve amassed over the past three months. I’ve had a lot going on but not much time to write about it until now, so here goes.

Quadraceratops were lucky enough to play in the 2012 London Jazz Festival, which was the highlight of my Autumn. We supported Get The Blessing at the Jazz Cafe in Camden on the 17th November, playing to our biggest audience so far. It was also the biggest venue we’ve played, so the whole evening was slightly surreal and a lot of fun. Ricky Day kindly took on audience-eye-view photography duty on the night, and I’ve put up an album of his shots of the Quadraceratops FB page, plus the couple in this post. A big thanks to Dom Servini, who DJed at the gig, for booking us to come and play.

The following week we had a gig at ‘Jazz at the Waterline’ in Dalston. This is a night run by my friend Dee Byrne (although she has subsequently moved it to the Hackney Cut, due to what is hopefully the Waterline’s temporary closure). The back room of the Waterline is a cosy, intimate space and it was a nice gig for trying out some new music. I had recently finished a composition called ‘Flying South’, so it got its first outing on that night.

The Waterline gig was possibly also the first time that the band name has appeared on a blackboard (above) which I enjoyed. In addition, Dee took some photos on her phone including this one, below, and the trippy one on my ‘Gigs‘ page. Someone was clearly enjoying adding weird effects…hopefully inspired by the music!

I’d like to say a massive thanks to the ‘November lineup’, who put in a lot of work, switched around instruments a bit and played great on both gigs. They were (and indeed are):

Tom Ward – baritone sax (in role as a trombone while Magnus was away)

Andrew Woolf – tenor sax (in role as Tom Ward)

Chris Snead and Dave Orchant – trumpet (one on each gig)

Jason Simpson – bass

Kit Massey – keyboards

Luke Christie – drums