Tag Archives: quadraceratops

A lovely night at the Forge…

I don’t think I’ve ever booked a gig in so far in advance. It was actually August 2011 when the Forge gig was confirmed, at which point I was just starting to entertain the idea of getting a new set of tunes together and seeing if the band from my final Guildhall exam fancied reforming. When we played on Thursday night, it felt simultaneously like it had been a long time coming and like it had been booked only a few days ago!

Warning: this next paragraph will gush a bit. Essentially, I had a fantastic evening! After a long (self-inflicted) Winter of Writing that ended up extending into a Spring of Still-Haven’t-Finished-Writing, it was so good to actually play the music. On top of that, it felt brilliant to play the music to such a friendly and receptive audience. Plus, the evening itself was extremely smooth-running and I found I was able to relax and chat to friends who’d come along – a situation I don’t think I’ve been in for ages. In summary, here’s to many more gigs like it!

The recording is on its way, but in the mean time here’s an audience-eye-view photo by Darren McCarthy. We’re off to Manchester next week, and I’ve also just confirmed a date with The Jazz Meet, who are going to host us on July 29th at their lovely weekly event in East London. See you out there!

Getting a bit Mardi….and Quad minus two weeks(ish)!

Checking in with a bit of composition news today: I’ve been asked to write a piece for the brass quintet ‘Mardi Brass’. They are doing an album this year featuring compositions from a few different people. Exciting! The theme is ‘blue’, but a very broad blue, thankfully. I have a pretty wonky idea up my sleeve so I hope they like it…this will be my first time writing for that lineup. Mardi Brass has as its tuba player my good friend (and Magic collaborator) Jeff Miller.

In other news, the Magic Trio has started rehearsing for our June gig – I’ll try and grab some rehearsal recordings to put up on Soundcloud soon. Also, the Quadraceratops gig at the Forge is now only TWO WEEKS away tomorrow. Perhaps strangely for a band with a prehistoric name, we’ll be playing a set composed entirely of brand new music. And maybe *one* cheeky arrangement. 24th May. Come and listen. Info and tickets can be found over on the Forge website

The Quad ventures North…

Latest news from Quadratowers is that we have a gig in Manchester! We’ll be heading up there on June 5th to play at Sandbar for the lovely Efpi Records at their night ‘Freedom Principle’. Should be lots of fun, and I’ve also heard that the beer there is particularly nice. If you’re around the area, come down and say hi…info here.

Quadrehearsal snippets…

We’re rehearsing! It’s true. We had the first session with the full band last night, and I was really pleased with how the tunes sounded. I even managed to record it this time, so here are a few edited highlights…

‘I could make it myself for less’

‘Song for the worker bee’

‘Palindrome day’

‘Bumble bee collision’

‘Rabbit feet’

There’s a bit more writing to do, and we have some exciting gig news in the pipeline…more on this soon…

 

Reporting from the rehearsal room…

Well, not really. That wouldn’t be the most productive rehearsal approach. No, in fact, we played last night and I decided to write it up as a way to get this blog going – I thought it might be nice to blog about getting the Quadraceratops project together and post some bits and pieces up here as we go along.

Small, but perfectly formed?I’ve been quite the writing hermit recently, spending all my available time at the piano or my new tiny desk (acquired recently to create a second mini work area in our flat). The process (not over yet by any means) has been pretty interesting. I’m learning about how I work best, trying different methods and also, critically, discovering how long it typically takes me to complete a tune. This isn’t something that I would usually concentrate on, because it tends to ‘take as long as it takes’ for me to write a piece of music, but working to a deadline has obviously changed that. I’ve had to set myself targets (argh!) to be completed by certain times (e.g last night’s rehearsal), and then go nuts to try and meet them – in the process learning whether they were realistic in the first place. I’ve been finding that it’s very easy to overestimate the amount I can comfortably get done in a set time period, but that I can also get quite a lot done in a scramble right before the deadline.

Dining room becomes writing room...One perfect example of this happened a week or so ago, when I went away for a mini writing retreat, taking advantage of my family’s house which was going to be empty during the day time for a run of days in a row. I pitched up and built myself an awesome temporary writing room/studio and planned to get a massive amount of music produced in the relatively short window of time available. Did I manage it? Of course not. I wrote about 50% of what I wanted to. However, I was really pleased with the results and it was evident that a change of environment and some enforced isolation had been a big bonus. I came back to London feeling a combination of pleased and disappointed, totally on track and massively behind. It seems like the only possible thing to do is to set deadlines, allocate as much time as possible, and then just see what happens. Right now, I can’t accurately estimate how much music I can produce in how much time.

Anyway, all of which meta-musical/methodological analysis meant that I was pretty excited about getting into a rehearsal room and actually playing! We were down a few members, but it was still great to hear some of the music played by real people. Plus, we had a really nice attic rehearsal room that I just discovered (I have a thing for attics). My plan had been to take some pictures and recordings for blogging purposes, but I got caught up in actually rehearsing. This is the paradox of social networking! To document the activity at the expense of actually doing it?! Argh. Anyway, I’ll work on that. The trick is probably to turn the microphone on. In the absence of any such documents, then, I offer some photos of the music in its paper form. It exists, which feels good! Now I just need to write a load more.

Mmm...papery...Papery goodness...

 

 

Quadraceratops!

I’ve finally given the septet a name: Cath Roberts’ Quadraceratops. I also just sent off the promo info for our first gig…more to follow on this soon. You can find the band on Facebook and ‘like’ it to hear about what we’re up to, and I’ll be posting on here too. Plus, if you’re on Twitter, you can follow me under my alias @robocath. It’s a huge relief to actually decide on a name, so now it’s back to the piano to get working on the tunes again!