Author Archives: cath

Reporting from the rehearsal room…

Well, not really. That wouldn’t be the most productive rehearsal approach. No, in fact, we played last night and I decided to write it up as a way to get this blog going – I thought it might be nice to blog about getting the Quadraceratops project together and post some bits and pieces up here as we go along.

Small, but perfectly formed?I’ve been quite the writing hermit recently, spending all my available time at the piano or my new tiny desk (acquired recently to create a second mini work area in our flat). The process (not over yet by any means) has been pretty interesting. I’m learning about how I work best, trying different methods and also, critically, discovering how long it typically takes me to complete a tune. This isn’t something that I would usually concentrate on, because it tends to ‘take as long as it takes’ for me to write a piece of music, but working to a deadline has obviously changed that. I’ve had to set myself targets (argh!) to be completed by certain times (e.g last night’s rehearsal), and then go nuts to try and meet them – in the process learning whether they were realistic in the first place. I’ve been finding that it’s very easy to overestimate the amount I can comfortably get done in a set time period, but that I can also get quite a lot done in a scramble right before the deadline.

Dining room becomes writing room...One perfect example of this happened a week or so ago, when I went away for a mini writing retreat, taking advantage of my family’s house which was going to be empty during the day time for a run of days in a row. I pitched up and built myself an awesome temporary writing room/studio and planned to get a massive amount of music produced in the relatively short window of time available. Did I manage it? Of course not. I wrote about 50% of what I wanted to. However, I was really pleased with the results and it was evident that a change of environment and some enforced isolation had been a big bonus. I came back to London feeling a combination of pleased and disappointed, totally on track and massively behind. It seems like the only possible thing to do is to set deadlines, allocate as much time as possible, and then just see what happens. Right now, I can’t accurately estimate how much music I can produce in how much time.

Anyway, all of which meta-musical/methodological analysis meant that I was pretty excited about getting into a rehearsal room and actually playing! We were down a few members, but it was still great to hear some of the music played by real people. Plus, we had a really nice attic rehearsal room that I just discovered (I have a thing for attics). My plan had been to take some pictures and recordings for blogging purposes, but I got caught up in actually rehearsing. This is the paradox of social networking! To document the activity at the expense of actually doing it?! Argh. Anyway, I’ll work on that. The trick is probably to turn the microphone on. In the absence of any such documents, then, I offer some photos of the music in its paper form. It exists, which feels good! Now I just need to write a load more.

Mmm...papery...Papery goodness...

 

 

Sax quartet emerges…

On Thursday I went to the first rehearsal of Tom Ward’s new sax quartet. We played a whole bunch of Tom’s original tunes, arrangements and also his transcriptions of other sax quartets. I had a great time! Here are some highlights (recorded with a phone)…

Tom Ward (alto)
Chris Williams (alto)
Andrew Woolf (tenor)
Cath Roberts (bari)

‘Chresmomancy’

‘Headmaster’s Daughter’

‘PIAP’

Quadraceratops!

I’ve finally given the septet a name: Cath Roberts’ Quadraceratops. I also just sent off the promo info for our first gig…more to follow on this soon. You can find the band on Facebook and ‘like’ it to hear about what we’re up to, and I’ll be posting on here too. Plus, if you’re on Twitter, you can follow me under my alias @robocath. It’s a huge relief to actually decide on a name, so now it’s back to the piano to get working on the tunes again!

Happy New Year!

Time has flown by since my last update, so I’m a bit bemused to find myself in 2012. I kicked off the year by attending the F-ire Collective Winter workshop on groove writing this week, which was pretty inspiring. Much like last time, I left with a very specific rhythm-related headache, some great music in my brain and lots of notes and things to think about as I resume the Winter of Writing. Over the next two months I’m going to be spending as much time as I can putting together septet tunes, so we can start rehearsing. Now that it’s a week into the new year, the May gig is starting to feel quite a lot sooner, which I guess is probably good for motivation!

Other projects are getting under way too. I had a first look at some of the music for Tom Ward’s new saxophone quartet today. I’m on bari so it’s time for some serious training. Playing pretty much constantly for the whole tune, on every tune, will be a challenge! Great music though so I’m looking forward to starting rehearsals. Also today came a sneak preview of some tracks I played on for Luke J Christie and the Held Breath. There’s a website coming soon apparently, and the album is nearly mixed. Exciting stuff…

All in all, can’t wait to get my teeth into a lot of new things this year….bring it on!

 

 

October 2011

This month saw my first foray into writing for film, as I put together some music for Reelscape Films. They are working on a promo short for their upcoming feature ‘Fortune Cookies’, and asked me to provide not only some background ‘elevator’ jazz but also some angry rock! A good chance to develop my skills in Logic…

An inspirational trip to Copenhagen – involving catching a nonet gig featuring Andrew D’Angelo and Bill McHenry – got me feeling excited about my imminent septet project. I will be putting together a bunch of new music for our gig on May 24th, which sounds like a long way off but in writing time is quite close!

I have decided to leave Hackney Colliery Band to pursue other things, so the Jazz Cafe gig on November 7th (supporting Hypnotic Brass Ensemble) will be my last one with the band. I’ve had a great three years, but now it’s time to move on, and I’ve already got several (maybe too many?!) ideas underway. I can feel a winter of writing coming on!