I’m very happy to announce that Martin Clarke will be releasing a duo recording of Alex Bonney and me on his label oem. Out on 8th July, the set was recorded by Martin at Hundred Years Gallery in February this year – not long before the suspension of live performances. Link coming soon…
Corey Mwamba has just released a recording I found in my archives, of his piece New Dark Art played by a special sax quartet forwed for the occasion. We did two performances of the piece in May 2015, one in London and one in Derby. This recording is of the London date, a LUME gig at Long White Cloud on 14th May.
The quartet was all Eb saxophones. I was on baritone along with Colin Webster; Tom Ward and Chris Williams were on altos. A really nice project!
If you head over to Corey’s Bandcamp site you can download the release, and subscribe to the site for access to tons more music.
My work on the new live recordings Bandcamp site is continuing, and there are now two more sets up there.
First up, a trio set with Corey Mwamba and Olie Brice. This is from a LUME gig at The Vortex in April 2016, when we played opposite Dave Kane’s quartet. Who recorded it is a mystery, but I *think* it was me with my Zoom recorder. Going through these old files is reminding me of the importance of proper labelling…
Hope you enjoy these. Everything I publish on the site is a ‘name your price’ download, and the money will be split equally between me and the other musicians on the tracks. So if you’re in a position to support artists, please consider buying a copy.
More coming soon…follow on Bandcamp or keep an eye on this blog for info.
A new release to check out! Anton Hunter has released a new live recording of his large ensemble Article XI, from the Newcastle date of our double bill large ensembles tour in 2017. Released on the mighty Sheffield label Discus Music, the set features two new compositions plus new live versions of some AXI classics. Have a listen – it’s great to be a part of this group and I hope we can play live again soon.
Happy new year! A quick post as I ease myself into 2020 after a break from the internet. I’ve updated my gigs page with my dates for January to March and it’s dominated by MoonMot: the Swiss/UK sextet is back on the road in February and March, touring in the UK and mainland Europe as well as releasing its debut album ‘Going Down The Well’ on 14th February via Swiss label Unit Records. In the mean time, you can have a listen to a couple of tracks and pre-order the album (in LP, CD and digital form) on the MoonMot Bandcamp site.
The new Sloth Racket album is released today! You can now stream the whole album on Bandcamp, and order CDs and zines to be shipped straight away. Check it out!
You can pre-order your copy of the fourth Sloth Racket album ‘Dismantle Yourself’ today from Luminous! I’m so happy with how this album album sounds and it’s great to get it out there…
As well as the CD edition with hand-printed sleeve, for this release I’ve created a companion zine to go with the album. The 20-page, A6 zines were printed by Footprint Workers Co-operative in Leeds with bright blue ink on recycled paper. The words and graphics inside came out of my process of going through the studio sessions to pick the final album tracks and give them titles: my listening notes always include these things, and this time I decided to work on them a bit to make finished pieces of writing. When laying out the text for the zine pages I incorporated graphics similar to the ones in my scores for Sloth Racket and Favourite Animals compositions.
The CD sleeves come in five different colour inks – randomly selected when I ship albums, or you can take your pick when buying from the merch table.
It’s in the album thanks list, but I should say here once again how grateful I am for the support of the Fenton Arts Trust and the Oppenheim-John Downes Memorial Trust. I was able to get grants from them to support the album recording: a two-day session in February at The Chairworks studio in Yorkshire. After three albums made in single day sessions, the aim was to have more time to work on the music in the relaxed setting of a residential studio. With more time for experimentation, the focus of the recording was the exploration and development of the new material, collectively improvising the composed starting points into finished pieces. Of course, all that will be straight out of the window as soon as we set off on tour in September and get our teeth into the music on the road!
Sloth Racket is hitting the road this Autumn and releasing a new album! After a huge amount of work and multiple grant applications, I’m incredibly happy to announce this run of nine live dates around the UK. Touring is where we can really get into the music, and I can’t wait to get stuck in. I love playing with this band! Check the flyer below for all the dates, and you can find all the info about venues, who will be sharing the bill with us, how you can buy tickets and everything else tour-related at slothracket.co.uk/tour.
The new album ‘Dismantle Yourself’ will be available to pre-order from Luminous on 12th August, and is released on 2nd September. I’ll post here when pre-orders are up too.
See you somewhere out there in September!The tour is supported using public funding by the National Lottery through Arts Council England.
Out today is something I’m really happy to be involved with: Boundaries, an LP on the new multi.modal label. Based at SPARC (Sound Practice and Research @ City), a research centre at the Music Department of City, University of London, multi.modal is run by Tullis Rennie and Claudia Molitor. In their own words:
‘multi.modal is a new London based record label that muddies the borders between improvisation, field recording and composition. Each release on the label will triangulate these artistic spaces and reflect contemporary music practices, which tend to be collaborative and multimodal.’
I was lucky enough to be invited to work with City University Experimental Ensemble in April 2017, making a new graphic score, March Of The Egos, for them as well as playing my piece Off-World (as heard on the Favourite Animals album). We performed the two pieces at IKLECTIK, and it’s this recording that you can hear on side B of ‘Boundaries’.
The title of the release refers to side A of the LP: two interpretations of Chieko Shiomi’s Boundary Music. This 1963 text score reads: ‘Make the faintest possible sound to a boundary condition whether the sound is given birth to as a sound or not. At the performance, instruments, human bodies, electronic apparatus or anything else may be used.’
The Boundaries album is distributed by NMC Recordings and can be ordered from their website. I also have a couple of copies that I’ll be selling at gigs, so come and find me on a merch table somewhere soon!
Lastly I should mentioned the beautiful design work by Alexander Rennie. Look at the gorgeous cover!
Update: I’ve been alerted to a lovely review of this record on the Further blog, in which Mat Smith describes CUEE’s performances of my pieces as ‘a vibrant, colourful, euphorically noisy collision between noir jazz and electronics’ (Off-World) and ‘a discordant, joyously sprawling piece wherein each instrument and player seems to be vying for airtime’ (March Of The Egos). Thanks Mat!
Madwort’s Menagerie is Tom Ward’s chamber-ish sextet project, which I became a member of relatively recently. We recorded a set of Tom’s music in 2017 and the album is coming out this Spring on his new label Madwort Records. To celebrate the release, we’ll be playing at Hundred Years Gallery in Hoxton on Saturday 9th February. For this date the lineup will be:
Tom Ward – flute
Alex Bonney – cornet
Adam Spiers – cello
Andrew Woolf – bass clarinet
Cath Roberts – baritone saxophone
Tim Fairhall – double bass